Wednesday, March 10, 2010

Travel: River Writing & Sculpting Journey

Page Lambert's River Writing & Sculpting Journey, For Women Only - As featured in Oprah's O Magazine

Spend 5 days with Special Guest Artists from the Santa Clara Pueblo

September 1, 2010
$1299 ~ 5 days & 4 nights

Page Lambert returns to facilitate a 5-day river-writing journey for women in Utah's beautiful Westwater Canyon on the Colorado River. This special trip will explore writing and sculpting as complementary forms of creative expression. Whether journaling or writing professionally, an established artist or just beginning, the natural world unleashes powerful creative energy. Personal writing and sculpting time is woven into the moments between floating down the Colorado River, hiking at your leisure, or relaxing on shore. Although this is not a workshop, creative discussions about sculpting and writing will take place at the river's edge and continue throughout the day, ending with readings under the stars. "Women rediscover a unique part of themselves in the natural world," Page says, "and we inspire each other in uniquely feminine ways."

For more information, contact SGE or Page directly at: (303) 842-7360 or page@pagelambert.com.


Details and itinerary available here.

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Thursday, March 4, 2010

Banker's Blog: Insurance

Is your artwork insured? I hope so! Now that we have established this fact, I will move on to the topic of this blog, which is not about obtaining insurance. Instead, I am going to discuss what to do after you have our work insured. If you read no further, at least read this:

It is extremely important to keep a record of your current inventory and a record of past sales!


As they say, hope for the best, but prepare for the worst. We can all hope that nothing will ever happen to your artwork, but no matter how careful you are, things do happen. If your artwork is lost, stolen, or damaged, the first thing your insurance agent will ask you is this: What is the value of the piece? The second thing will be: Prove it.


Can you prove it? Do you have a record of similar works and what they have sold for in the past? No? Then you might be out of luck.


Simply stating the retail price of the piece to the insurance agent won't cut it. Unless you have proof you have sold work just like it or similar at that price, the retail price means nothing to the insurance company. They are interested in the market price, meaning what price buyers will actually purchase it for.


Inventory your existing work and your sold work.

o Photograph all work. If you don't have skills in this area, hire a professional to do it. It is worth the money! Don't forget to photograph the piece from all angles.
o Record sizes, medium, and all other details of the piece including the date of sale.
o Keep all paperwork involved with a sale- invoices, copies of checks, etc. (You should have all this for bookkeeping purposes anyway, but be sure to keep it on file!)
o Create a comprehensive record of sold works in one place. You may try keeping a notebook or photo album that includes an image of the piece sold piece, the details, the price it sold for, to whom, and date of purchase. Even better, if you have a website, mark works as sold with the sale price and any other pertinent information.
o Have a back up of all this information off site -- away from the work itself. (A website is a good place for this!)

If, in the event of a claim, you are able to hand your insurance agent this comprehensive record, it will greatly speed up the process and likelihood that the claim will go through. Having a link to send to an insurance agent is a good start towards proving your past sales, but they will also want to see the paperwork to back it up!


Artwork Network provides a solution for our members by including a sold section with their online gallery. We will load any work sold by that artist even if it was sold before they were a member. But, like any tool, it is only useful if it is utilized.


Keep in mind that the same process applies even if work is damaged while in the possession of someone else. First off, the third party is not obligated to claim the loss or damage on their insurance. If they are nice enough to do so it will still be up to you to prove the worth of the piece.

Basically, if you are insured, but cannot prove what your artwork is worth based on previous sales, than you will likely only be able to claim the cost of materials for the piece.

The information provided above is based on our past experience only. Please talk to your insurance agent if you have any questions.


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303 Magazine - Wedding Party (Update!)

More information about 303 Magazine's Wedding Party has finally been released! Here's the scoop:

Celebrate the release of the March issue in an event designed to feel like you’re crashing a wedding reception.
Dress code: BLACK & WHITE cocktail attire.
$15 in advance, $20 at the door

Includes:
Complimentary sponsored drinks by Svedka vodka and Trumer Pils Beer.
Two floors of Art Exhibits
Register for a chance to win a year in Aspen/Snowmass
Performance by featured March artist: Ali Pierre
DJ Hotness spinning all night
Cake by Mike Schettler
Chocolate fountain
21+

For details on the time/date, and to snag yourself a ticket, click here.

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Wednesday, February 24, 2010

Call for Entry - Watercolor USA 2010

Springfield Art Museum: "Watercolor USA 2010"
http://www.springfieldmo.gov/art/documents/WUSA_web_prosp_10.pdf

The Springfield Art Museum in Springfield, Missouri announces a call to artists for a national juried watercolor exhibition, June 12 - August 8, 2010. Approximately $40,000 in cash, patron & purchase awards. Juror: Richard Martin Ash, III. Open to any artist, 18 years of age or older, living in the United States of America or its possessions. All paintings must be original works, executed since 1 January 2009, and not previously shown at the Springfield Art Museum. All work accepted for the exhibition must be ready to hang, framed and glazed with Plexiglass or similar plastic. All entries submitted must be for sale and include a 25% commission. Nonrefundable entry fee of $15 for up to two entries.

Deadline: March 30, 2010.

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Tuesday, February 23, 2010

Call for Entry - Art Through the Mail

Lebanon Art Factory: "Art Through the Mail Campaign!"
http://www.lebanonartfactory.org/

Each artist may submit up to three (3) hand made art postcards which can be mailed to the gallery's temporary post office box created just for this exhibit.
Works should be no larger than 5.5 x 8.5 inches.
Any medium is acceptable as long as it gets through the world wide postal system in tact.
All Post-Art-Cards received before or on April 1st, 2010 will be displayed at the Refuge Gallery Space on 12 N. 9th street in Lebanon, Pennsylvania. The opening will take place on First Friday, April 2nd from 5 to 8 PM.

Click here for the official website.

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Monday, February 22, 2010

Story Behind the Art - Daniel Bahn

Daniel Bahn's series "Blue Stain"

Growing up in Colorado, I am reminded every day of the majestic beauty of the Rocky Mountains and the reason I, and many other people live here. Nature is a continuum of life and death, growth and decay but the past few years have seen an unprecedented decline of the pine forests. The little bug the size of a grain of rice that ravages these trees is not new but the depth and breadth of its appetite is. Wide swaths of forest turn from green to orange in a matter of months as one wonders what may lie ahead.

Is this nature's way of regeneration?
Is a catastrophic fire inevitable?
What will this habitat look like in 10 years? 50 years?
Is there anything to be done?

My current series draws from this sense of concern and records the organic forms and the detritus that is left over. Sick trees exhibit a ghostly blue stain that meanders through the growth rings - a stamp or death certificate for that tree. There is also a natural beauty in the stains and the crosscut forms of the trees. I am interested in the formal aesthetics of this environment. The trees had been pillars of strength, offering shelter and a diverse habitat - that has now changed.


Click here to view more of Daniel Bahn's artwork.

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Thursday, February 18, 2010

Do Schools Kill Creativity?

While attending a workshop on creativity at the Art Institute of Colorado, I was shown this intriguing video of Sir Ken Robinson. His dialogue is both witty and thought-provoking, and well worth a listen.



Also check out Ken's website www.ted.com, which is full of videos regarding all things creative.

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